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Batsheva Dance Company - The Hole by Ohad Naharin, 2013

Batsheva Dance Company - The Hole by Ohad Naharin, 2013

Performed by 18 Batsheva Dance Company dancers 60 minutes without intermission The Hole, Ohad Naharin's creation for Batsheva was created for the spacious Varda Studio in collaboration with scenery and stage designer Zohar Shoef. Additional collaborators are lighting designer Bambi (Avi Yona Bueno), and costume designer Ariel Cohen. The soundtrack is edited and designed by Maxim Waratt. Video Clip: Director and Editor - Roni Azgad Cinematographer - Yaniv Linton Lightning Design: Avi Yona Bueno (Bambi) Space and Stage Design: Zohar Shoef Costume Design: Ariel Cohen Soundtrack Editing: Maxim Waratt Music: Rephase - Team Doyobi Akvaryum -- Gevende Diner - Angelo Badalamenti Radio -- Autechre IV VV IV VV VIII - Autechre La Sultane: Gravement - Frsncois Couperin THE HERS - WE ARE OVER THE KOP Affletic - Jus Wan Starethrough -- seefeel By The Sea - Ennio Morricone Shoshana and The Pigs - Maxim Warrat Assistant to Ohad Naharin and Maxim Waratt: Guy Shomroni Graphic Design: Roni Azgad Space and Stage operation - TechArt, Stage Technologies ltd. Warm thanks to Maya Dunitz for all her help. Special thanks to the Kenny family and Eastronics for their friendship and support in maintaining Varda Studio in memory of Varda Kenny. World Premiere: April 3 , 2013, Varda Studio, Suzanne Dellal Center, Tel-Aviv . Original Cast: Stephanie Amurao, William Barry, Shachar Binyamini, Matan David, Omri Drumlevich, Bret Easterling, Iyar Elezra, Chen-Wei Lee, Eri Nakamura, Ori Moshe Ofri, Shamel Pitts, Oscar Ramos, Nitzan Ressler, Ian Robinson, Maayan Sheinfeld, Bobbi Jene Smith, Zina (Natalya) Zinchenko and Adi Zlatin.
"Harry" (Excerpt)  created by Barak Marshall for Les Ballets Jazz de Montreal

"Harry" (Excerpt) created by Barak Marshall for Les Ballets Jazz de Montreal

For this new creation, made-to-measure for the BJM dancers, the Israeli-American choreographer Barak Marshall was inspired by the inner battles we all wage. "Life is a constant struggle," he says, "in which we are continually faced with conflicts with regard to culture, gender, species." Between men and women, in particular, compromises must be made to achieve a balance. This piece revolves around the character of Harry, who struggles to overcome forces both physical and existential. Teeming with energy, the work underscores a recurrent theme in human interactions: conflicts and our ability to overcome them. Set to a score combining jazz, Israeli folksongs and traditional music, this new opus is imbued with hope and humour, alternating group sequences, trios and duets in a fabulous extravaganza of dance. A work dedicated in the memory of Marjorie and Gerald Bronfman, major partners of Les Ballets Jazz de Montréal. A production of BJM -- Les Ballets Jazz de Montréal, in coproduction with National Arts Center (Ottawa), The Joyce Theater Foundation (New York), Segal Center for Performing Arts (Montréal), City of Montauban during Danse en PlaceS Festival. Choreography: Barak Marshall Assistants to choreographer: Inbar Nemirovsky, Osnat Kelner Dancers : Antonios Bougiouris, Christina Bodie, Céline Cassone, Kevin Delaney, Alyssa Desmarais, Youri de Wilde, Alexandra Gherchman, Alexander Hille, Morgane Le Tiec, Andie Masazza and Brett Taylor Musics: Tommy Dorsey, Taraf Ionel Budisteanu, Balkan Beat Box, The Andrews Sisters, Anatol Stefanet, Dejan Petrovic, Sidney Bechet, Warsaw Village Band, The Hungarian Quartet, Goran Bregovic, Maria Callas Wayne Newton Lighting: Daniel Ranger Costumes: Anne-Marie Veevaete World Premiere: Montauban, France, July 2012 Length: 40 minutes
HOUSE by - L¬E¬V Sharon Eyal | Gai Behar

HOUSE by - L¬E¬V Sharon Eyal | Gai Behar

Follow our new YouTube channel - Sharon Eyal Dance music by Ori Lichtik Video by: Amit sides | Kobie Flashman | Ascaf Avraham Sharon Eyal Creator Sharon Eyal was born in Jerusalem. She danced with the Batsheva Dance Company from 1990 until 2008 and began choreographing within the framework of the company's Batsheva Dancers Create project. Eyal served as Associate Artistic Director of Batsheva between 2003-2004, and House Choreographer of the company between 2005-2012. In 2009 Eyal began creating pieces for other dance companies in the world: Killer Pig (2009) and Corps de Walk (2011) for Carte Blanche Dance of Norway; Too Beaucoup (2011) for Hubbard Street Dance Chicago, and Plafona (2012) for Tanzcompagnie Oldenburg, Germany. In 2013 Eyal launches L-E-V with her long-time collaborator Gai Behar. This October, they premiered Untitled Black in collaboration with the Goteborgs Operans Danskompani in Gothenburg, Sweden. Eyal is the recipient of numerous awards, including the 2004 Ministry of Culture Award for young dance creators and the 2009 Landau Prize for the Performing Arts in the dance category. In 2008, she was named a Chosen Artist of the Israel Cultural Excellence Foundation. Gai Behar Creator Gai was a notorious mover and a shaker of Tel Aviv's live music, art and nightlife scenes from 1999 till 2005. Gai joined Sharon in co-creating Bertolini in 2006 and has collaborated along with Ori Lichtik on the creation of Sharon Eyal's choreographic works ever since. Ori Lichtik Sound Artist Ori Lichtik is a multifaceted musician, drummer and creative DJ. Since their first collaboration on Bertolini, Lichtik has created alongside Gai and Sharon throughout the choreographic process, reflecting off of the dancers' movements, and as often inspiring and prompting them with the tone and pace of his percussive sounds and rhythms. The compositions result in precise sets that structure the works. Each live show is then improvised with fresh layers of digitally manipulated effects, creating a unique sound experience for every event. One of the founding fathers of the techno scene in Israel, he has created, produced and spinned musical productions, techno raves and various other music and performance events since 1996. During the last decade Lichtik has taught and coordinated the DJ Department of Muzik, college for musical productions.
Emanuel Gat Dance - The Goldlandbergs [Excerpts]