DANSE D'ISRAËL

Performed by 18 Batsheva Dance Company dancers 60 minutes without intermission The Hole, Ohad Naharin's creation for Batsheva was created for the spacious Varda Studio in collaboration with scenery and stage designer Zohar Shoef. Additional collaborators are lighting designer Bambi (Avi Yona Bueno), and costume designer Ariel Cohen. The soundtrack is edited and designed by Maxim Waratt. Video Clip: Director and Editor - Roni Azgad Cinematographer - Yaniv Linton Lightning Design: Avi Yona Bueno (Bambi) Space and Stage Design: Zohar Shoef Costume Design: Ariel Cohen Soundtrack Editing: Maxim Waratt Music: Rephase - Team Doyobi Akvaryum -- Gevende Diner - Angelo Badalamenti Radio -- Autechre IV VV IV VV VIII - Autechre La Sultane: Gravement - Frsncois Couperin THE HERS - WE ARE OVER THE KOP Affletic - Jus Wan Starethrough -- seefeel By The Sea - Ennio Morricone Shoshana and The Pigs - Maxim Warrat Assistant to Ohad Naharin and Maxim Waratt: Guy Shomroni Graphic Design: Roni Azgad Space and Stage operation - TechArt, Stage Technologies ltd. Warm thanks to Maya Dunitz for all her help. Special thanks to the Kenny family and Eastronics for their friendship and support in maintaining Varda Studio in memory of Varda Kenny. World Premiere: April 3 , 2013, Varda Studio, Suzanne Dellal Center, Tel-Aviv . Original Cast: Stephanie Amurao, William Barry, Shachar Binyamini, Matan David, Omri Drumlevich, Bret Easterling, Iyar Elezra, Chen-Wei Lee, Eri Nakamura, Ori Moshe Ofri, Shamel Pitts, Oscar Ramos, Nitzan Ressler, Ian Robinson, Maayan Sheinfeld, Bobbi Jene Smith, Zina (Natalya) Zinchenko and Adi Zlatin.

New to the company repertoire - June 2013 In 1999, Barak was appointed by Ohad Naharin as the Batsheva Dance Company's first-ever house choreographer; he created several works for both the junior and senior companies before severely breaking his leg in 2001 and leaving dance. In 2008, the Suzanne Dellal Centre commissioned Barak to created Monger

The Kibbutz Contemporary Dance Company has been widely identified with the works of its Artistic Director Rami Be'er. His creations have credited the company with international acclaim as it frequently performs in theaters and festivals around the world. His work is known to arouse much interest and curiosity with audiences both in Israel and abroad, and as a result the company continues to enjoy an ever increasing demand for its performances on stages worldwide. Over the years, the KCDC developed into one of Israel's most prominent dance companies and has gained international renown. 'If At All' A moving theatrical event in figurative and abstract circles, from the closed form to the open structure. Physical space in motion whose essence is a chain of events of diverse and ever changing interpersonal relationships. Visit KCDC online at: www.kcdc.co.il For bookings and more information, please contact: office@kcdc.co.il להקת המחול הקיבוצית - אמבכלל Video made by: Smovie.co.il

The Israel Ballet - The Nutcracker (2015)

By Ohad Naharin Performed by Batsheva Dance Company dancers 80 Minutes without intermission Lighting Design: Avi Yona Bueno (Bambi) Soundtrack Design and Edit: Maxim Waratt Musical Advisor: Nadav Barnea Costume Design: Eri Nakamura Assistants to Ohad Naharin and Eri Nakamura: Ariel Cohen Dancers Instructor: Natalia Petrova. Assistant: Omri Mishael Special thanks to The Israeli Ballroom Dancing Fund. Music: "Coma" by Converter, "Ae Ajnabi" (From "Dil Se") by Mahalakshmi & Udit Narayan, "Bullet in the Head" by Rage Against the Machine, "Mirage" by Biz, "The Wait" by Olafur Arnalds, "One Large Rose" by Niblock Phill, "Dead Wrong" by The Notorious B.I.G, "Kyrie fons bonitatis, Litany", "Beata Viscera" - Gregorian Chant, Songs of the Spirit; "Offertorium: Lubulate Deo Universa Terra" - Gregorian Chants from Mönchsschola der Erzabtei St. Ottilien; "O Euchari" by Hildegard Von Bingen; "De Profundis","Alma Redemptoris"- Gregorian Chants;" Alma Redemptoris Mater", "Litany: Litany" -Gregorian Chant from Westminster Cathedral Choir. Produced by Batsheva Dance Company. Co-producers: Chaillot National Theater, Paris; Hellerau –European Center for the Arts, Dresden. With special support provided by the Dalia and Eli Hurvitz Foundation, as well as the New Works Funds of Batsheva and the American Friends of Batsheva. Video by Tommy Pascal World premiere: May 2017, Suzanne Dellal Centre, Tel Aviv.

By Ohad Naharin Performed by 16 Batsheva - The Young Ensemble dancers 65-75 minutes Segments from Ohad Naharin's creations: Sadeh21 (2011), Max (2007), Seder (2007), George and Zalman (2006), Three (2005), Zachacha (1998), Zina (1995), Anaphaza (1993), Mabul (1992), Kyr (1990) Lighting Design for the original creations: Avi Yona Bueno (Bambi) and Ohad Naharin. Costume Design for the original creations: Rakefet Levi and Sharon Eyal. Music: Autechre & The Hafler Trio, David Darling, Brian Eno & Harold Budd, Isao Tomita, A. Vivaldi, Marusha Don Swan & his Orchestra, Orchestra conducted by Dick Stabile, Brian Eno, Maxim Waratt, Chronomad, The Beach Boys, Ali Hassan Kuban, Dick Dale, Goldrapp the Tractors’ Revenge and Ohad Naharin, Habib Alla Jamal Text: Charles Bukowski Cast: Etay Axelroad, Yotam Baruch, Matan Cohen, Yael Ben Ezer, Korina Fraiman, Ido Gidron, Mai Golan, Lenny Hassin, Chiaki Horita, Chunwoong Kim, Yaara Lapid, Kyle Scheurich, Yoni Yonatan Simone, Amalia Smith, Stephanie Troyak, Kelvin Vu Apprentices: Opal Markus, Evyatar Omesy World Premiere: 2000, Suzanne Dellal Center, Tel-Aviv Video credits: Director & Editor: Roni Azgad Cinematographer: Ziv Berkovich

"Adam" by Roy Assaf 40 Minutes Peformed by 12 dancers Assistant to the choreographer: Ariel freedman Light design: Omer Sheizaf Thanks to Avi Yona Bueno (Bambi) for his assistance in the technical construction of the lighting. Costumes design: Eri Nakamura Music editing: Dudi Bell, Jeremie Bernheim Music: Suite bergamasque, L.75:lll. Clair de lune/ Composer: Claude Debussy. Piano: Kun woo paik Video editing: Jeremie Bernheim Cast: Bret Easterling, Iyar Elezra, Olivia Ancona, Mario Bermudez Gil, Omri Drumlevich, Zina (Natalia) Zinchenko, Rani Lebzelter, Ori Moshe Ofri, Shamel Pitts, Oscar Ramos, Hsin-Yi Hsiang, Maayan Sheinfeld. Originally commissioned for Batsheva Dance Company World premiere - April, 2016 – Suzanne Dellal Center, Tel Aviv, Israel

Exquisite and sensational, ingenious and ironic, fabulous funny and quite gloriously unique: attempting to describe the magical experience of Oyster soon places you in danger of running out of adjectives. Beautiful ballerinas hop into sight, float over the stage and act as pendulums in a giant clock; a giant two headed man stuck to a set of wheels is rolled in by a woman with half a face and a stool handily attached to her bottom; a Roald Dahl hag holds the reins on two fairy princesses; slightly grotesque musical hall freak shows.

For this new creation, made-to-measure for the BJM dancers, the Israeli-American choreographer Barak Marshall was inspired by the inner battles we all wage. "Life is a constant struggle," he says, "in which we are continually faced with conflicts with regard to culture, gender, species." Between men and women, in particular, compromises must be made to achieve a balance. This piece revolves around the character of Harry, who struggles to overcome forces both physical and existential. Teeming with energy, the work underscores a recurrent theme in human interactions: conflicts and our ability to overcome them. Set to a score combining jazz, Israeli folksongs and traditional music, this new opus is imbued with hope and humour, alternating group sequences, trios and duets in a fabulous extravaganza of dance. A work dedicated in the memory of Marjorie and Gerald Bronfman, major partners of Les Ballets Jazz de Montréal. A production of BJM -- Les Ballets Jazz de Montréal, in coproduction with National Arts Center (Ottawa), The Joyce Theater Foundation (New York), Segal Center for Performing Arts (Montréal), City of Montauban during Danse en PlaceS Festival. Choreography: Barak Marshall Assistants to choreographer: Inbar Nemirovsky, Osnat Kelner Dancers : Antonios Bougiouris, Christina Bodie, Céline Cassone, Kevin Delaney, Alyssa Desmarais, Youri de Wilde, Alexandra Gherchman, Alexander Hille, Morgane Le Tiec, Andie Masazza and Brett Taylor Musics: Tommy Dorsey, Taraf Ionel Budisteanu, Balkan Beat Box, The Andrews Sisters, Anatol Stefanet, Dejan Petrovic, Sidney Bechet, Warsaw Village Band, The Hungarian Quartet, Goran Bregovic, Maria Callas Wayne Newton Lighting: Daniel Ranger Costumes: Anne-Marie Veevaete World Premiere: Montauban, France, July 2012 Length: 40 minutes

Help us Complete the Film - visit http://kck.st/Huk0pn Sneak Preview Clip from Mr.Gaga, new documentary by Tomer Heymann: Ohad Naharin, the artistic director of the Batsheva Dance Company and creator of Gaga movement language talks about his inspiration from nature. Visit our Kickstarter page to help us complete the film: http://www.kickstarter.com/projects/heymannbrothers/mr-gaga-a-documentary-film-about-ohad-naharin https://www.facebook.com/MrGagaTheFilm https://twitter.com/MrGagatheFilm www.mrgagathefilm.com

“Be’er never disappoints! He is a professional who knows exactly how to capture his audience’s interest, and skillfully masters all the secrets of the stage.” – Habama “Kibbutz demonstrates a fresh and innovative language in its excellent production of Horses in the Sky by Be’er, which brings together dreams and a sense of impending apocalypse.” – Haaretz “Solid, well-structured and impressively executed both in its language and staging.” – The Jerusalem Post Choreography, Stage & Lighting Design: Rami Be'er Sound Editing: Rami Be’er, Alex Claude Costume Design: Rami Be’er, Lilach Hatzbani Rehearsal Director and Assistant to the Artistic Director: Nitza Gombo ___ For Bookings & More Information, Contact: Yoni Avital International Director E-mail: yoni@kcdc.co.il Tel: +31-6-8006-8709 Visit Kibbutz Contemporary Dance Company at https://www.kcdc.co.il/en Follow us on Instagram at: https://www.instagram.com/kibbutzdancecompany Follow us on Facebook at: https://www.facebook.com/KibbutzContemporaryDanceCompany Follow us on YouTube at: https://www.youtube.com/user/KCDanceCompany

Too Beaucoup Sharon Eyal and Gai Behar, Choreography Learn more at http://www.hubbardstreetdance.com

Follow our new YouTube channel - Sharon Eyal Dance https://www.youtube.com/channel/UCUWMQ-2tUgWPcHYewVjUq4Q music by Ori Lichtik www.sharoneyaldance.com Video by: Amit sides | Kobie Flashman | Ascaf Avraham Sharon Eyal Creator Sharon Eyal was born in Jerusalem. She danced with the Batsheva Dance Company from 1990 until 2008 and began choreographing within the framework of the company's Batsheva Dancers Create project. Eyal served as Associate Artistic Director of Batsheva between 2003-2004, and House Choreographer of the company between 2005-2012. In 2009 Eyal began creating pieces for other dance companies in the world: Killer Pig (2009) and Corps de Walk (2011) for Carte Blanche Dance of Norway; Too Beaucoup (2011) for Hubbard Street Dance Chicago, and Plafona (2012) for Tanzcompagnie Oldenburg, Germany. In 2013 Eyal launches L-E-V with her long-time collaborator Gai Behar. This October, they premiered Untitled Black in collaboration with the Goteborgs Operans Danskompani in Gothenburg, Sweden. Eyal is the recipient of numerous awards, including the 2004 Ministry of Culture Award for young dance creators and the 2009 Landau Prize for the Performing Arts in the dance category. In 2008, she was named a Chosen Artist of the Israel Cultural Excellence Foundation. Gai Behar Creator Gai was a notorious mover and a shaker of Tel Aviv's live music, art and nightlife scenes from 1999 till 2005. Gai joined Sharon in co-creating Bertolini in 2006 and has collaborated along with Ori Lichtik on the creation of Sharon Eyal's choreographic works ever since. Ori Lichtik Sound Artist Ori Lichtik is a multifaceted musician, drummer and creative DJ. Since their first collaboration on Bertolini, Lichtik has created alongside Gai and Sharon throughout the choreographic process, reflecting off of the dancers' movements, and as often inspiring and prompting them with the tone and pace of his percussive sounds and rhythms. The compositions result in precise sets that structure the works. Each live show is then improvised with fresh layers of digitally manipulated effects, creating a unique sound experience for every event. One of the founding fathers of the techno scene in Israel, he has created, produced and spinned musical productions, techno raves and various other music and performance events since 1996. During the last decade Lichtik has taught and coordinated the DJ Department of Muzik, college for musical productions.

Trailer of Barak Marshall's Rooster. Rooster is a co-production of the Suzanne Dellal Centre and the Israeli Opera and premiered November 12, 2009. Barak Marshall is the former house choreographer for the Batsheva Dance Company under the artistic direction of Ohad Naharin. http://www.barakmarshall.com http://www.facebook.com/barakmarshalldance

http://www.idfa.nl/industry/film/mr-gaga Dutch premiere at IDFA 2015 A well-documented biography of the Israeli choreographer Ohad Naharin, who had a major influence on modern dance with his own movement language called Gaga.

A work by Emanuel Gat. "The justification of art is the internal combustion it ignites in the hearts of men and not its shallow, externalized, public manifestations. The purpose of art is not the release of a momentary ejection of adrenaline but is, rather, the gradual, lifelong construction of a state of wonder and serenity.” - Glenn Gould Choreography created in collaboration with and performed by: Hervé Chaussard, Aurore Di Bianco, Michael Löhr, Pansun Kim, Philippe Mesia, Geneviève Osborne, François Przybylski, Milena Twiehaus. Soundtrack: "The Quiet in The Land", prepared and written by Glenn Gould. Additional music: J.S.Bach, Goldberg variations. Piano: Glenn Gould. Stage and lights design: Emanuel Gat in collaboration with Samson Milcent and Guillaume Février. Sound designs: Emanuel Gat in collaboration with Frédéric Duru. Production: Emanuel Gat Dance Co-Production: Festival Montpellier Danse 2013, Théâtre de la Ville, Paris, deSingel- International Art Campus, Anvers, Lincoln Center Festival 2014 New York, CCN Roubaix Nord-Pas de Calais Carolyn Carlson. With the support of Conseil Général des Bouches du Rhône and Fondation BNP Paribas. "The Goldlandbergs" is the story of a family. Less a story of factual narratives, but more of a metaphoric comment on life through the intimate glimpse at the complex nature of human relations. The choreographic score stands as a threshold to the quiet ecstasy of individuals engaging with each other. Not aiming to reproduce the experience of reality, the work uses structural clarity immersed in a spontaneous way of being, proposing various observations on social structures and the way they effect individuals. "The Goldlandbergs" exploits the contrapuntal essence of choreography, in order to generate numerous possibilities allowing both performers and audience the freedom of artistic choice and interpretation. The soundtrack used, is an overlaying of two distinct scores: "The Quiet in the Land", a radio documentary created by Glenn Gould in 1977, and excerpts from Bach's "Goldberg Variation" played by Gould himself. Described as oral tone poem, sound documentary or contrapuntal radio, "The Quiet in the Land" was the last of three such documentaries known as "The Solitude Trilogy" produced by Gould for the Canadian Broadcasting Corporation between 1967-77. Gould conceived these documentaries as musical compositions. A multi-layered contrapuntal structure of lines of speech, music and ambient sound, “The Quiet in The Land” is a complex and dramatic montage resembling a fugal form. A kind of music of the human voice, it combines ideas and emotions, interpretation and imagination, weaving them together in a variegated, cyclical, autonomous media reliant on electronic sound waves for transmission. Gould conceived of "a form which expresses the limitations of form. Which takes as its point of departure the terror of formlessness". This intense texture stretches the ear and mind beyond normal expectations of comprehensibility, it can be perplexing at first and yet through close listening, it reveals remarkable depth and subtlety. "The Quiet in the Land" is a Portrait of the Mennonite community at Red River, Manitoba in northern Canada. A religious group long separated from the mainstream, and how they are coping with the increasing strains and pressures that the Twentieth Century has placed on their community. It is constructed out of nine interviews, tapes of a church service, rehearsals by the Mennonite Children's Choir, and other sound effects and music. This complex and thorough portrait touches directly issues, challenges, and conflicts, which are timeless, mainly the search for an effective, but perpetually delicate balance among opposing trends, influences, principles, and goals. It looks into themes such as separateness; materialism; fashion; complexity of life; faith; reluctance to question one's own culture; appearance; moderation; technology; theology; philosophy; humanism; isolation; conflicts; challenges; splits; unity; peace position; social concerns; politics and the arts. This rich and dynamic sound scope is carefully layered in juxtaposition against Gould masterful recording of the Goldberg Variations from 1981, a few months before his death. The Aria (both the one opening the cycle and the one closing it), as well as some of the variations, are weaved into the dramatic textual environment, counter-pointing, enlightening and referencing it. It is an examination of the delicate and charged territory, which lies between the auditory and the visual, the sonic and the kinetic, the verbal and the sensory. "The Goldlandbergs" uses choreography as a method of organizing and articulating thought through the exploration of the complex and dynamic webs of human relations. It looks at people, observes their conduct and behavior, attempting to unveil their motives and the forces which rule them.

Last scene from "Winter Variations" danced by Roy Assaf and Emanuel Gat. Music: G. Mahler Co production / Festival Montpellier Danse 2009, American Dance Festival, Lincoln center Festival, deSingel. with the help of Scènes et Cinés Ouest Provence World Premier / June 22nd 2009 American Dance Festival. European Premier / June 30th Opera Berlioz, Le Corum Montpellier.

http://www.facebook.com/IsraeliVibe Noa Wertheim founded Vertigo Dance Company in Jerusalem with Adi Shaal in 1992. Vertigo has won international acclaim and is revolutionary in their community centered and environmentally conscious approach to dance. Executive Director: Zavi Apfelbaum ------- Visit the MFA's Social Media Channels: Facebook - http://www.facebook.com/IsraelMFA http://www.facebook.com/IsraeliVibe Twitter - http://www.twitter.com/Israel http://www.twitter.com/IsraelMFA Find us on Instagram: @IsraelMFA - http://instagram.com/israelmfa @StateofIsrael - http://instagram.com/stateofisrael Add us on google+ https://plus.google.com/+Israel Pinterest https://www.pinterest.com/israelmfa/ Vine http://www.vine.co/Israelmfa Have you subscribed to our channel yet? please do! http://www.youtube.com/Israel Please credit Israel MFA for any use of this video.

In his work ‘Asylum’, Artistic Director Rami Be’er examines concepts such as identity, foreignness, oppression, discrimination, domination, freedom, belonging, immigration, homeland, longing, and home. These concepts are relevant to every human being from an existential view, wherever he or she may happen to be situated in place and time. The quest for a place that is identified as a home is part of the human existential experience. In relation to the present moment in which we are, the reality touches on subject matters within Asylum as we are all witnesses to the millions of asylum seekers that are escaping wars and conflicts across the globe, trying to find their place where they will feel safe. "An extraordinary composition of a seasoned artist and a master in composition. The technical level of the company is exceptional!" - Ruth Eshel Choreography, Stage Design & Lighting: Rami Be’er Sound Editing: Rami Be’er, Alex Claude Costume Design: Rami Be’er, Lilach Hatzbani Rehearsal Director and Assistant to the Artistic Director: Nitza Gombo Assistant to the Rehearsal Director and Assistant Sound Editor: Eyal Dadon Video: Ram Gil _________________ For Bookings & More Information, Contact: Yoni Avital International Director Kibbutz Contemporary Dance Company E-mail: yoni@kcdc.co.il Tel: +31-6-8006-8709 WhatsApp: https://wa.me/31680068709 Visit Kibbutz Contemporary Dance Company at https://www.kcdc.co.il/en Follow us on Instagram at: https://www.instagram.com/kibbutzdancecompany Follow us on Facebook at: https://www.facebook.com/KibbutzContemporaryDanceCompany Follow us on YouTube at: https://www.youtube.com/KibbutzContemporaryDanceCompany

Original music: Ori Vidislavski Based on the 1987 dance work by Liat Dror and Nir Ben Gal. Creation and performance: Niv Sheinfeld and Oren Laor Music: Ori Vidislavski, Elton John, Vains of Jenna Artistic advising: Keren Levi Rehearsal management: Karmit Buryan, Yael Venecia Light design: Netta Koren Premiere: Tmuna festival, Tel-Aviv, October 2012 Camera: Ido Kagan, Ben Hertzog & Sascha Engel Editing & Post Production: Sascha Engel / TIME BANDITZ Prod. The work was co-produced with Centre National de la Danse (CND) in Pantin, France, and Grand Theatre Groningen. Supported by Israeli Ministry of Culture and The Israeli Lottery fund for Arts and Culture. © All rights reserved to Niv Sheinfeld and Oren, 2012.

Two women. Three scenes. One evening, in which they respond to the constant gaze that inspects them. Being looked at, examined, and living up to the expectation, where the body operates as a social tool, they develop a relationship between them. Inspired by surreal imagery and pop energy, the three different sections present different aspects of the female body and being, ultimately exposing a refreshing language: mysterious, funny and disturbing all at once

animal lost israeli premier 3-6 october 2010 at 21:00 suzanne dellal center, inbal theater, tel aviv reserve your tickets in advanced! box office: 03 5105656 First premiered at DANSESCENEN 14. 29. MAJ 2010 I ANIMAL LOST indtager stereotyper scenen og skaber en afspejling af samfundet. Og planken gås ud. Men hvad sker der, når stereotyperne bringes ud i det ekstreme og tvinges til at forholde sig til hinanden? Er vi fortabte dyr, når maskerne falder? Relationer mellem mennesker opstår, udforskes og forvandles: En elskovs favntag, et ægteskabeligt opgør, et møde mellem brødre. Griner eller græder de? Af sorg eller glæde eller har de sex? Er det en orgasme, et abeskrig eller en kanariefugls kvidren? ANIMAL LOST er surrealistisk, poetisk, dynamisk, dramatisk, musikalsk. Og ind imellem vanvittig humoristisk. KOREOGRAFER: Oded Graf & Yossi Berg MEDVIRKENDE: Søren Linding Urup, Julia Giertz, Pierre Enaux, Siri Wolthoorn, Oded Graf & Yossi Berg
 LYSDESIGNER: Antonio Rodrigues-Andersen KOSTUMEDESIGNER: Mona Møller Schmidt DRAMATURG: Carmen Mehnert PR & EVENTS: Janne Hovmand Storm ADMINISTRATION: Dansens Hus FOTOGRAF: Christoffer Askman ANIMAL LOST ER STØTTET AF Statens Kunstråds Scenekunstudvalg Augustinus Fonden Danmarks Nationalbanks Jubilæumsfond af 1968 Københavns Scenekunstud¬valg Nordea-fonden Den Israelske Ambassade VIDEO ER OPTAGET UNDER PRØVERNE, APRIL 2010

White Noise } Vertigo Dance Company מצאו אותנו גם בפיייסבוק: https://www.facebook.com/eco.artvillage אתר הכפר: http://eco-artvillage.org/

בכורה: אינטימדאנס 2013, תמונע. ללוח ההופעות: בקרו בדף הפייסבוק של hillel kogan

A collaboration between Inbal Pinto, Avshalom Pollak and Robby Barnett from the American based Pilobolus Dance Theater. Dancing chairs and ice-skating. Jacques Tati meets Gogol and the Marx brothers. An isolated society of broken dreams.

Resumen de los trabajos de algunas de las compañías que participaron en la última Exposición Internacional celebrada en el Centro Suzanne Dellal de Tel Aviv. Diciembre 2012. Idan Sharabi and Dancers,Dana Ruttenberg Dance Group,Tami Dance Company, Nimrod Freed,Idan Cohen,Shlomit Fundaminsky,c.a.t.a.m.o.n dance group in Jerusalem,Inbal Pinto & Avshalom Pollack Dance Company,Kamea Dance Company,Ela Ben-Aharon & Edo Ceder,Merav Cohen,Noa Dar Dance Group,Galia Fradkin,Reut Shemesh,Liat Dror Lir Ben Dance Company,Maria Kong Dancers Company,Dafi Dance Group,Batsheva Dance Company,Vertigo Dance Company,Kibbutz Contemporary Dance Company.

Vertigo Dance Company= Vertigo Global 2014 Three internationally acclaimed performance artists emphasizing the link between Arts, Society and the Environment. A threefold observation of movement over time and space featuring: Parades and Changes 2014, a current version of the ground-breaking 1965 piece, a collaboration with original creator, artistic guide and mentor, Anna Halprin (95) Sharon Fridman (34), Artistic director and choreographer of his laurelled Madrid based Compañía Sharon Fridman who made his first steps as a dancer with the Vertigo Dance Company further explores natural movement in a brand new composition created with Vertigo dancers Choreographer Noa Wertheim (50) adding a reflection on these profound artistic processes presenting her own in-depth expression. Creating a whole which is larger than the sum of its parts.

For more info visit us on our site: http://www.youmakeremake.com Concept by Renana Raz

VERTIGO dance company & the REVOLUTION ORCHESTRA 2018 By Noa Wertheim

Maria Kong presents OPEN SOURCE Choreography by Talia Landa and the Maria Kong Team Anderson Braz, Artur Astman, Caroline Boussard, Luciane Castro Fontanella, Ori Ben-Shabat, Tal Ben-Ari, Marijn Alders, Shachar Wecherson, Idan Shimoni, Yossy Taieb, Alon Landa, Zohar Eshel-Acco Guests - Ravid Kahali, Amano, Alon Amano Campino

Dance Theatre by Renana Raz & Ofer Amram 2005 Dancers: Nir Tamir & Ilayah Shalit

With another exciting end part ^_^ 4 Dancers. 4 Creators. 3 Characters. The premier show of the brilliant Maria Kong Dancers Company. Premiered 10th of September http://www.mariakong.com

Trailer of the new work of Niv Sheinfeld & Oren Laor. Film about the Tour to South America can be seen here: https://www.youtube.com/watch?v=YTab17KTHLc Dancers & co-creators: Anat Grigorio, Uri Shafir & Sascha Engel Music: Didi Erez Light Design: Netta Koren Costumes: Inbal Lieblich Editing & Post Production: Sascha Engel

BODYLAND - A new full length evening by Yossi Berg & Oded Graf Dance Theatre https://www.yossioded.com Trailer from rehearsals קליפ מהחזרות למופע 'בודילנד' מאת יוסי ברג עודד גרף Next show: 7th May 2014 Suzanne Dellal Center Tel -Aviv Premiere dates: November 7-16, DanseHallerne, Copenhagen, Denmark, Tickets: +45 33 88 80 08 December 5-7, Mahsan 2 Jafa port, Tel Aviv-Yafo, Israel, Tickets: +972 3 9021563 December 11-12, Bora Bora, Aarhus, Denmark About BODYLAND A constant hectic stream of thoughts flowing between the brain and the heart, between neurons and muscles, from elbow to knee, from toe to top. Constantly. Neurotic. Hectic. Consciously and unconsciously. Incomprehensible. The nature of body whispers in one direction, while culture raises his voice the other: Do this, do that, feel that, feel this. BODYLAND is a physical, poetic journey into the body as pure innocent nature and into the cultural layers, that every day and always already shape our thoughts and actions, constantly ranging body and brain out and -- perhaps -- apart. www.yossioded.com מתוך יצירה של יוסי ברג ועודד גרף